In illustrating the Lewis and Clark Expedition, the artists worked within the historical frameworks of their times. Nineteenth century tools and methods utilized engraving, lithography, the physiognotrace, and early photography processes. These pages analyze and illuminate those tools and methods.
Two hundred years after the event, interpretive artist Michael Haynes explains how he created his painting “Hallowed Ground.”
L&C Artists
Interpreters of the trail
Due to the relative paucity of illustrations in the journals, Lewis and Clark storytellers rely on the drawings, paintings, engravings, statuary, and photographs of early travelers and modern interpreters alike. Listed here are early travelers and modern interpreters with indexes of their artwork used on this site.
Because the Shoshone woman has been the subject of so many sculptures and paintings, especially since about 1900, we have a rich heritage of artists’ conceptions to contemplate.
At Lewis’s right is Clark’s servant, York, dressed in blue as befitted a personal slave at that time. The Indian squatting at Lewis’s left hand is Toby, the Shoshone guide the captains had hired to lead them across the Bitterroot Mountains toward the Columbia River.
In 1798 a German actor-playwright-turned-printer named Alois Senefelder (1771-1834) discovered the principle of lithography, relying upon simple chemical principles—the mutual repulsion of oil and water, and the mutual attraction of water and salt.
With every crossing they unavoidably drifted farther downstream. Lewis recounted the climactic rafting episode of the day.
Profile Portraiture
by Joseph A. Mussulman
In 1802 the British-born Philadelphian, John Isaac Hawkins (1772-1805)5, invented a new kind of copy machine, a pantograph with which a person could produce a miniature copy of his or her profile through direct contact. He called it a physiognotrace.
As documented by Edward Curtis
Photographer Edward Curtis himself described the processes pictured here. “In the preparation of this article of food the salmon was beheaded and gutted, and with a sharp knife the two halves were separated from the backbone and the skin.”
Dyes and Shellac
by Joseph A. Mussulman
A brief account of the dyes and shellacs used at the time of the Lewis and Clark expedition.
Portraits of William Clark
by Joseph A. Mussulman
Four portraits and one statue by five different artists show a diverse interpretation of the likeness of William Clark.
The story behind Charles M. Russell’s 1912 painting of the expedition meeting the Bitterroot Salish at Ross’ Hole, one of the great works of Western American art.
After Lewis’s preliminary sketch, later artists and photographers contributed to the visual documentation of the “sublimely grand” waterfall including Barralet, Gustavus Sohon, A. E. Mathews, and F. Jay Haynes.
The printing of pictures employed a 350-year-old technology based on a process called intaglio—from an Italian word meaning to “cut in”—in which lines and dots were incised into a metal sheet called a plate.
Experience the Lewis and Clark Trail
The Lewis and Clark Trail Experience—our sister site at lewisandclark.travel—connects the world to people and places on the Lewis and Clark Trail.
Discover More
- The Lewis and Clark Expedition: Day by Day by Gary E. Moulton (University of Nebraska Press, 2018). The story in prose, 14 May 1804–23 September 1806.
- The Lewis and Clark Journals: An American Epic of Discovery (abridged) by Gary E. Moulton (University of Nebraska Press, 2003). Selected journal excerpts, 14 May 1804–23 September 1806.
- The Lewis and Clark Journals. by Gary E. Moulton (University of Nebraska Press, 1983–2001). The complete story in 13 volumes.
This site is provided as a public service by the
Lewis and Clark Trail Alliance
with cooperation and funding from the following organizations:
- Lewis and Clark National Historic Trail
- Montana Committee for the Humanities
- Idaho Governor's Lewis and Clark Trail Committee
- The Capital Gallery (Lewis and Clark Fort Mandan Foundation)
- Yellowstone Public Radio
Unless otherwise noted, journal excerpts are from The Journals of the Lewis and Clark Expedition, edited by Gary E. Moulton, 13 vols. (Lincoln: University of Nebraska Press, 1983-2001).